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{her light is as loud as as many ambulances as it takes to save a savior}
[these are not hands; they are weapons]

digitaldiscipline:

avron:

patrickat:

cipheramnesia:

deliriumcrow:

splend-42:

i-was-today-years-old-when:

i learned that actor Danny Trejo has the most on-screen deaths of anyone in Hollywood history, with 65. Followed by Christopher Lee (60), Lance Henriksen (51), Vincent Price (41), Dennis Hopper (41), Boris Karloff (41), and John Hurt (39). (x)

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Yet poor Sean Bean is stuck with the reputation for dying in every movie. Unfair.

Give him time, he still has many years of dying yet to come.

Also there’s the question of density vs quantity. If you make a hundred movies and die in 50, and someone else makes 30 movies and dies in 30, the first one has died more, but the second one has died more often per movie.

It’s the DPM ratio that really counts, IMO.

65/402 16% Danny Trejo
60/282 21% Christopher Lee
51/259 20% Lance Henriksen
41/211 19% Vincent Price
41/205 20% Dennis Hopper
41/204 20% Boris Karloff
39/209 19% John Hurt
33/117 28% Sean Bean

I’m so proud of the statistical side of tumblr for coming through on this.

(via mbrainspaz)

tiger-in-the-flightdeck:

alexanderwales:

Here’s a legal PSA:

If you’ve committed a crime and a detective gathers everyone involved in the room, especially if he’s not actually a detective and is instead a novelist, puzzle-setter, psychic, fake psychic, dog, chess grandmaster, etc. …

YOU SHOULD NOT CONFESS.

Every year, hundreds of people are put away by non-traditional “detectives” who have either inserted themselves into the case or are working with the police in a dubiously legal capacity as advisor. In 99% of these cases, the murderer gives a full confession even though the evidence against them is circumstantial at best and often requires a long just-so story which can only guess at motive.

If this happens to you, stay quiet, do not attempt to defend yourself or talk your way out of it, only say “I want a lawyer”.

Now if you find yourself being investigated by a boy genius, magician’s assistant, anthropologist, classics scholar, or philosopher, it’s likely that refusing to talk to the police (or investigator with no legal authority) is merely the end of the second act, and by the end of the third act they will have you dead to rights.

YOU SHOULD STILL NOT CONFESS.

Make them take it to court. Force the eccentric detective and his straight-laced police partner to take the stand and explain their methods to a jury of your peers. Have your lawyer look at the chain of custody on the evidence, especially if you believe it to have been handled by someone who has only bumbled into detective work through their natural charm and/or unique set of skills and outsider perspective that come in handy more often than they should.

Know your rights. Don’t let eccentric detectives put you away.

There are, of course, exceptions to this rule, but only under certain circumstances. If the eccentric is there with a much put upon biographer who is gazing with open awe and adoration at his dear friend and constant companion, you are safe to make known your involvement IF one or more of the following applies to you:

  • Your victim was planning something nefarious for your daughter
  • You were getting vengeance for the murder of your true love, who society would not let you be with
  • You were protecting your true love from abuse at the hands of a spouse, because despite society not allowing you to be together, you are still utterly devoted
  • You were being blackmailed with the threat of a secret relationship being revealed to the public which would result in your absolute ruin
  • You are a snake and thus beyond prosecution

Everyone gets “The 90s” look wrong and I hate it

waffled0g:

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Couple years ago I saw these two board games at the store back to back. Well, not saw them per se, but ya know. Spied them out of the corner of my eye. And for a moment without reading the text, I couldn’t tell you which was which decade at first. Funny. Either they were in a rush to get these out the door or they wanted their throwback trivia game boxes to look uniform. I didn’t think too much of it.

Only, from then on I started seeing it MORE. Every time someone markets a 90s or 80s throwback…

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Goddammit they’re identical! What??! How did we let this happen? As a 90s survivor and a designer, this drives me up a wall.

Look, I know I’m late to the party to complain about “the 90s look” when we’re just starting to get sick of the Y2K nostalgia train. But c’mon, the 90s were not The 80s: Part Two™ 

Trust me when I say that we weren’t all wearing neon trapezoids up until the year 2000. The 90s look being peddled is so specific to the tail end of the 80s and an early early part of the 90s - a part of the 90s when it wouldn’t stop being the 80s. This is Memphis design being conflated with the wrong decade.

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Keep reading for a long ass graphic design history lesson and pictures of old soda and fast food.

Keep reading

(via aethersea)

overthinkinglotr:

I think the reason so many LOTR ripoffs fail is because they make their Aragorn analogue the main character, when the entire point of Aragorn is that he’s “the person the villains think is the main character, but is Not.”

Aragorn seems like a traditional King Arthur style hero— he has huge Main Character Energy because he’s supported by destiny, by bloodline, by all these magic artifacts and prophecies, and etc etc. Frodo and Sam are Just Some Guys. Aragorn recognizes that Sauron understandably thinks he’s the main hero of this story ….and he pretends to believe it too, spending the entire series using himself as a diversion to prevent Sauron from seeing Frodo and Sam.

Aragorn’s whole thing is that knows he seems like the Main Hero of this legend to people who don’t know better —- but he also knows that he isn’t, and that his role is just to keep Sauron’s eye on him in order to protect the people around him.

And it works! Sauron is so fixated on defeating his Legendary Destined Archenemy with Extreme Main Character Energy that he completely overlooks the two ordinary little guys who were the real threat to him all along.

(via frontline-titties-of-the-fifth)

bookshop-cryptid:

a-streamed-consiusnes:

ailichi:

siriusly-justreblogs:

gaeilge-rules:

Found this far funnier than I should have

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someone please tell me if this is actually in accordance with how you spell irish stuff

I appreciate your curiosity!! This is exactly how we’d Gaelicise English names.

The J in Jason becoming an S is based on the model of Seán being the Irish version of John, and of Séamus being the Irish version of James. Séason would be pronounced Shay-son.

T is pronounced very softly in Irish, and when it’s followed by an E, it becomes a CH sound. The EA diphtong in Tead is pronounced as ‘ah’. So Tead would be pronounced as Chad, exactly the same.

As above, the EA is pronounced ‘ah’ and the combination GH is silent in Irish, so Hearraigh would be pronounced as Harry is in English, despite the initially alarming length.

Darach is already an Irish name, meaning ‘like an oak,’ and it’s usually Anglicised as Dara or Darragh (pronounced identically to each other), so suggesting Dairech = Derek is just extra funny.

I don’t think I’ll actually be able to scrub Ailfiagh out of my mind. It sounds too Irish, to the point that it’s replaced Alfie as the default spelling for me.

In short, We Need to Talk about Caoimhín (Kwee-veen) is a genius.

The Virgin latinize vs the tead gealicise

@whosayscrimedoesntpay

(via nonbinary-nicolo)

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